I have had a very busy year.
A rough estimate would suggest that I have seen over 110 plays in the past 12 months. In a way, it has been fantastic: I have been exposed to so many differing types of stories through the medium of the theatre. In another way, it has been a chore. Most of the shows have been perfectly acceptable pieces of theatre, with a few true “stand-out” pieces. And the elements of those stand-out pieces vary. In some instance, it was the direction, and in others it was design that made it stand above the rest. In yet others, it was the performance – the skill and craft of the actors involved. And in precious few, it was the story – the elegance and execution of a perfectly crafted script.
That definitely gets me thinking: What is it that makes a “good” story so hard to tell?
We can and do spend countless hours trying to understand and master structure. We struggle to perfect the rhythm and the pacing of the piece, and we try to create compelling characters. We throw them into interesting worlds with challenging, believable conflicts, and we hope and pray that we will succeed, that someone will be moved by our work.
So why is it that we so often come short?
I do not have the answers.
I am still learning this myself, and while I have theories, I cannot claim to have true knowledge as to what makes a good story. Indeed, when I read, watch, or experience what I would describe as a “good” story, I often find it challenging to explain why. I find myself saying that it touched me, moved me, excited me, or surprised me. In other instances, it inspired me, sparked something in my imagination that took me to another place, that caused my own ideas to multiply and grow. All good things, but definitely not tangible – and certainly not universal.
The elements of a good story are something I am exceptionally curious about. I do my best to read other people’s take on the subject in an effort to understand what it is, what that magical trick might be, that allows a storyteller to weave a tale that will have an impact.
So I wonder: Can we ever truly master the elements of a good story? Do good stories exist that defy the logic, the “formula,” as it were? And when that happens, why does it happen?
Is it voice? Artistry? A certain je ne sais quoi?
The curiosity lingers.
But we are curious beings, so I can only conclude that this is a good thing.
Have you read any articles that have given you an “ah-ha!” moment when it comes to what makes a good story? What resources have played important roles in the development of your craft? What are some examples of good stories that defy the logic, as it were? Please share your thoughts in the comments below – I’d love to hear them!